Exercise 2 – Learning Common Voicings

Lesson 4 of 4

Understanding the system is one thing; having a bank of practical, ready-to-use voicings is another. This lesson gives you a core set of common shapes to learn and apply, so you can start using shell-stension voicings in real musical situations straight away.

What you’ll get out of this lesson
A reference set of practical jazz voicings to learn and internalise, complete with diagrams showing where the root lies so you can transpose each shape to any key.

Reading the Diagrams

Before working through the voicings, note this important convention: hollow red circles in the diagrams show where the root of the chord is. This note is not to be played — it is there purely as a reference point so you know where the chord is rooted on the fretboard. Learn to hear the root even when you are not playing it.

The Common Voicings

Study the diagrams below and learn each voicing shape thoroughly before moving to the next. For each one, make sure you know which scale degree sits on which string — that knowledge is what allows you to transpose the shape and add extensions intelligently.

Applying the Voicings to Tunes

The real learning happens when you take these shapes off the diagram and into actual music. Apply every voicing you learn to as many tunes as possible — not just jazz standards, but any music where seventh chords appear. The more contexts you use them in, the more naturally they will come to hand when you need them.

Taking it further
Once you are comfortable with the voicings as static shapes, start connecting them — finding the smoothest voice-leading from one chord to the next. The goal is to move as little as possible between chords while keeping the harmony clear and musical.

Your homework
Choose two or three of the voicings from the diagrams and apply them to a ii-V-I progression in at least three different keys this week. Focus on knowing the scale degree of every note you are playing, not just the shape of the chord.