GuitarVivo https://validator.w3.org/feed/docs/rss2.html The Minor ii–V–I Progression: Using the 7♭9 Arpeggio Week 8 Quiz Week 8 Guided Practice Session Go Deeper: Library Picks for Weeks 1–7 Major and Relative Minor Pentatonic Scales Major and Relative Minor Blues Scales Applying Tonic Minor Blues over I–IV–V Changes Connecting I–IV–V Changes with Guide Tones Dominant Pentatonic Scales Superimposing Triads: The Major I Chord Cycle of Fourths: Ionian and Major 7 Arpeggios Superimposing Triads: The Minor ii Chord Dorian Key Changes: Targeting Minor 7 Chord Tones The Minor Modes: Superimposing Triads and Targeting Color Tones Superimposing Triads over the I–IV–V Blues Advanced Blues Improvisation: Using the Mixolydian Mode to Outline the Changes The Lydian Mode: Enclosing Major 7 Chord Tones The Major Modes: Superimposing Triads and Targeting Color Tones Lydian Key Changes: Targeting Major 7 Chord Tones Major Chord Tone Enclosures Minor Chord Tone Enclosures Start Here · Week 0 Weeks 1–4 Weeks 1–4 Weeks 5–8 Weeks 9–12 Weeks 13–16 Weeks 17–20 Weeks 21–24 Weeks 25–28 Weeks 29–32 Weeks 1–4 Weeks 5–8 Weeks 9–12 Weeks 13–16 Weeks 17–20 Weeks 21–24 Weeks 25–28 Weeks 29–32 Welcome to Professional Guitar Skills What Is Rhythm Guitar, and What Is Its Role? What Are You Actually Being Hired to Do as a Guitarist? What Goes Into Learning and Internalizing a Song Professionally? What Are the Tools of the Professional Guitarist? The CAGED System for Major Chords and Scales The CAGED System for Minor Chords and Scales Relative Major to Minor Relationships Closed-Voiced Triads and Harmonized Scales Open-Voiced Triads and Harmonized Scales [HOMEPAGE] Welcome to GuitarVivo